Fagin’s Twist

I have been the proudest of mammas watching Jemima over the years, but her most recent venture has taken me to depths and heights that I’d never thought I’d see.

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A dancer’s career is brutal.  It’s a tough competitive industry, work is sporadic, and it is physically punishing.  You need so many things to be in your favour.  You need to be talented.  You need to be lucky.  You need to work your little socks off.  And you need to be nice to everyone.  As my son reminded me recently, in “the biz” there are not 6 degrees of separation, probably only 1 or 2.

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Jemima is talented.  Very.  But having watched her graduation show last year,  yes so are her other 49 co-graduates.

Lucky? Yes, you can be the most talented dancer in the world, but if your face or look is not what the director has in mind, or if funding can’t be obtained, or if the mix of dancers doesn’t quite work…..

So when the early stages of Fagin’s Twist began, and Jem was reading for the part of Oliver, I could see that the role was maybe a really promising one for her.  She has a vulnerable quality, a fragility and naivety that is very endearing. And which is key to the character of Oliver.

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Choreographer Tony Adigun likes to take risks.  His retelling of the tale we all think we now so well comprised a small and multi-functional cast, an amazing versatile set, some powerful emotion-stirring music, and a narrative that even included some spoken text.  Modern dance is often a bit wafty and ephemeral, but Fagin’s Twist has recognisable  characters that we can relate to, a story with a beginning, middle and an end, and the audience can’t help but be engaged.

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During the early stages of the show being created, I’d been intrigued at how they used the words of Dickens original text to inspire and develop movements.  The final version (I say final, every time I see it , it’s been changed a bit….!) still has the odd nod to the famous movie musical, with a bit of Food, Glorious Food, Consider yourself one of the family, and always wanting more.  The thumbs-in-braces swagger, the pocket-picking, the top hats and pocket watch, all add colour and content to the story.

I’d first seen it at The Lowry in Manchester, and was just blown away by it.  So I was keen to come to see in in London, at The Place, where I’ve seen many of Jemima’s performances, and who were very important in the funding and promotion of the work.

Jemima’s picture was front and centre of the poster which was appearing everywhere – my cousin even posted on Facebook when he’d seen it at a tube station – I think that’s a bit of an iconic defining moment.

img_0690  Inside (and outside) The Place she was on posters, videos, she even made it onto the wine list!14642491_10156117161143644_228110983077175251_n

The decor in the bar area was lovely –

top hats dangling above the bar, Dickens black and white pictures on the wall, pocket watches on the pillars, a quill pen to write your comments with, graffiti decals, and the old black and white movie version on loop.

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Jemima and I as Bill and Oliver…..

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….before we swap roles!

I’d managed to get there in time to see it on Thursday evening.  Made the mistake of getting off at Holborn (cos that’s where her poster is!), when really Euston or Kings Cross are closer.

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And I also went to the Saturday matinee.  Had a lovely pub lunch at The Doric Arch at Euston – highly recommended.

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The show was just amazing.  I loved listening to the audience chatting during the interval and afterwards, and how genuinely excited they had been by it.  It has come to the end of this London run, still a few more dates in the next couple of weeks, and some possibilities for the future are in discussion.

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Doing “the puppety thing”, aka Fagin’s skank

The cast members are all sweeties, I’ve been privileged to get to know them more each time I visit.  They and Tony and all the backstage and wardrobe etc crew deserve a huge round of applause, a standing ovation, and a resounding 5 stars.

stars

 

 

parkrun tourism: Southwark

In town to see Fagin’s Twist,

img_0831and I chose my accommodation based on proximity to a parkrun I had yet to do. So I ended up in a very well located Air BnB in Bermondsey right beside beautiful Southwark Park.

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I took time on the Friday to walk around the park, and I was struck by how beautiful it was.

img_0710Wide tree-lined avenues,

an old English garden,

a duckpond,

bandstand, and plenty of cheeky grey squirrels.

Access:

There are a number of gates/ entrances to the park,

img_0799and car-parking didn’t seem to be an issue.  Most people walked, so I’m guessing they live locally.  Bermondsey tube on the Jubilee line is a 10 minute stroll away, and there are a couple of bus stops near by too.  Sadly, the toilets are in the cafe,

img_0815which doesn’t open till 9, but Surrey Quays shopping centre is the closest alternative.

Course:

It’s a 3 lap course, on wide flat tarmac paths, with just a couple of sharp bends to hamper your speed.  There’s one short section where runners are going in both directions, but it’s very well marshalled at all the junctions.

There are no hills to speak of, so it’s theoretically a fast one.

Crowd:

There were over 200 runners when I visited, most of them quite young.

img_0806 I did spot my first cow cowl “in the wild”, as well as an apricot shirt from Stormont.

Gear:

The “round the tree” approach was taken to coats and belongings, but I didn’t want to leave my key there in case it got lost.

img_0810So I tucked the keys into my grey wrist band, and looped Cracker onto my watch strap.

Strangely Appropriate Song on Shuffle:

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It was a glorious bright autumn morning, with the sun glinting off the pyramid roof of Canary Wharf on the skyline, and I was singing along to Nicky Byrne’s “Sunlight”.

Time:

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I didn’t quite manage to sub 30 minutes, but I was first in my new age-category!

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